Dead Forever is a beast of an album, one that will force ears around this country to pay attention to the punk scene in the Prairies.
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Pure Pain has a familiarity that’s impossible to pin point, maybe it’s a memory from your childhood or perhaps it’s a dream.
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Seeing Green is a confident album from a band that’s no longer green in the inexperienced sense.
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Sing-along choruses, peppy guitar solos and fast paced drums make Get Well Soon the album you want to hear when your spirit needs lifted.
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Michael Feuerstack has the power to highjack short attention spans from the hustle of modern life to force an immersive listening experience.
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It’s no surprise that Sub Pop came calling and it’s safe to say Jo Passed have become one of the most exciting bands on their roster.
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It’s A New Day Tonight is a record from an artist refining his sound and starting to truly understand his capabilities.
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Although the end of Frog Eyes fills many with a deep sorrow, we must consider ourselves blessed that they gave us one last triumph to add to our collections.
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One of the most impressive debuts you will ever hear, Body Lens is a perfect six song blast of post-punk prowess.
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After stumbling into the opportunity to score the first Wolfcop movie back in 2014, Shooting Guns may have found their niche.
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Robert Diack’s Lost Villages surges to the top of the post-rock heap of must hear albums, a brilliant example of how much better music would be if the jazz world opened it’s heart and mind to the idea of cross pollination.
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The FAPS debut album Grimelda clocks in with 25 minutes of spastic, A.D.D. riddled noise that shouldn’t make sense… but it works perfectly.
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Being original is one of the hardest things to do in modern music and Freak Heat Waves have managed to create one of the most unique albums in years.
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Kristian North’s debut solo record veers towards a cleaner sound drawing influences from classic rock & roll.
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Alan Wilson’s third release as Bothy is reminiscent of a Sunday drive down a coastal highway at dusk.
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A growing reputation has made their debut one of the most anticipated Canadian albums for over a year and finally the wait is over!
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Nap Eyes continue to grow on I’m Bad Now, which is being branded as the third chapter of a trilogy. This one is unlike any trilogy known to man because they saved their best work for last.
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Self described as post-post-punk, this Vancouver band layers fuzzy synths and piercing guitar over a tight groove to make moody, yet danceable music.
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Fitness' debut album, “-ing” (pronounced dashing) is a wild ride that sucks you in immediately and threatens to never let go.
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An ability to write tracks that explode into sweeping crescendos while maintaining their fun-filled pop sensibilities is a gift that Shred Kelly hold over the heads of their contemporaries.
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