Calgary scene staples Sunglaciers have released an album that synthesizes (in more than one sense) the spring-like power of mutability, liminality, and metamorphosis to create something fresh, exciting, and dynamic.
Read MorePenelope Stevens writes about Bizou from Mothland artist Alix Fernz, calling it “music for punks to dance to”.
Read MoreJeff MacCallum reviews the seventh record, Eternity Mongers, from Canadian indie mainstay Michael Feuerstack.
Read MoreAva Glendinning reviews Toil Boy from Winnipeg band Warming, an album that “transports listeners into a swirling nightlife alight with snapshots of triumph and mishap”.
Read MoreSophie Noel reviews the latest “warm and candid” record from Ontario’s Homeshake, the 9-track CD Wallet.
Read MoreJosiah Snell writes about Scenic Route to Alaska’s new record Lasts Forever, a record that “balances its melancholy and hope with an easy confidence”.
Read MoreChris Lammiman writes about the debut record from Ottawa’s Hot Mud, singing the praises of “a very honest and human record that is both witty and cathartic”.
Read MoreClay Geddert reviews Too Hot to Sleep from Daniel Romano’s Outfit, calling it a “collection of ferocious, driving tunes that are guaranteed to increase your average speed by at least 10km/h”.
Read MoreAlex Brassard reviews Altruistic from Edmonton’s own Royal Tusk, admiring the album’s “heavy riffs and colossal drums that necessitate headbanging”.
Read MoreHarman Burns reviews 8 Tableaux from Cups N Cakes favourite Flore Laurentienne, calling it a “monumental, mesmerizing album”.
Read MoreHarman Burns reviews Scorpion Deathlock from The Golden Age of Wrestling, calling it “a truly spellbinding listening experience that is one-of-a-kind.”
Read MoreIn lieu of our usual Friday Quick Picks column, this week, we’re highlighting a couple releases that Slipped Through the Cracks in 2023. This week, Harman Burns writes about albums from The Dog Indiana and Test Card.
Read MoreAva Glendinning reviews Gold Control from JEEN, calling it “an album that shines with substance, emotion, and classic pop catchiness”.
Read MoreHarman Burns reviews Soapsud Clown from ACR, praising the EPs “scrappy, do-it-yourself spirit, and a rapidfire Dadaist sense of humor”.
Read MorePenelope Stevens reviews Swimming from New Brunswick duo Pallmer, saying it “stands tall as their best release by far, a cohesive and compelling album that can’t help but transport the listener through memory, imagination, and back to the present, quiet moment”.
Read MoreAva Glendinning reviews THE PSYCHICS ALBUM from Paige Drobot, saying it is “delivered with impressive musicianship and adventurous songwriting style”.
Read MoreHarman Burns reviews Hindsight is 50/50 from garage-psych purveyors of the “all important vibe”, Ghost Woman.
Read MoreNigel Young review Family Milk, an “example of true musicians continuing to do what they do best” from British Columbia’s Fever Feel.
Read MoreAva Glendinning reviews Set Your Pussy Free from Montreal’s NOBRO, calling it a blend of “garage- and classic rock sound with punk fervour, a Riot Grrl ethos, and a whipsmart sense of humour.”
Read MoreJosiah Snell reviews BURY THE SORROW from Montreal’s Das Mörtal.
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